"There is so much writing in English on Japanese cinema that can't be accepted at face value — not because the writers are careless, but because the differences in culture and language are just too intricate. When I see August Ragone's name on a piece of writing, it gives me permission to place my faith in it completely. Among Japanese fantasy film historians, he's the best working in English." —Tim Lucas, Video Watchdog


Thursday, May 16, 2013

THE REAL ASTROPHYSICS OF "YAMATO: 2199"
University Professor Becomes Scientific Advisor

平成「ヤマト」リアル追求…大学教授が科学考証


"Taking Off 2.0" by Nobuteru Yuuki. ©SBY2199 Production Committee

With SPACE BATTLESHIP YAMATO: 2199 now airing on television in Japan (Sundays at 5:00 pm on TBS), a remake of the 1974 original, some viewers may not be aware that a professor from the Faculty of Science at Kagoshima University is also serving as the Scientific Advisor on the new series.


Professor Toshihiro Handa of Kagoshima University.

Specializing in Radio Astronomy, 54-year old Professor Toshihiro Handa grew up watching YAMATO while he was a Middle School student. “I’m very honored to be involved, since this anime series sparked my interest in astronomy,” he stated.


The Faculty of Science at Kagoshima University, Kyushu.

Since it first aired in 1974, SPACE BATTLESHIP YAMATO has garnered many deeply rooted fans. Like the original, the setting in this remake is the mysterious intergalactic nation of “Gamilas” polluting the Earth in attacks, leading to a fateful crisis in the year 2199.


The planet Gamilas, the center of the Great Gamilas Empire.

With total annihilation looming, Susumu Kodai, an officer in the UN Cosmo Force, boards the Yamato to find the planet “Iscandar” to retrieve a purification system to regenerate the Earth. The new series bowed in theaters and home video in 2012, and on television this past April, 33 years after the original.


The planet Iscandar, located 168,000 Light Years from Earth.

So, how did Professor Handa become involved in this new series? In 2008, the production committee approached National Astronomical Observatory of Japan, looking for “an individual who will enjoy helping us with sorting out facts,” and singled out Professor Handa, who was well known among his peers as an “anime lover.”


The colossal storm on the southern pole of Saturn from Episode 4.

Since then, he has engaged in numerous discussions concerning everything ranging from the visual design and animation with the animation staff, including supervising director Yutaka Izubuchi, in a myriad of topics such as “What would be the position of certain planetary bodies on January 1, 2199?” to “how would the Great Magellanic Galaxy appear when exiting the Milky Way?” Professor Handa would also reflect upon the celestial bodies rendered in CG, and lecture the staff on their relationships, as well as outline other scientific principals.


Looking back at the Milky Way Galaxy from Episode 14.

As an enthusiastic SPACE BATTLESHIP YAMATO fan, Professor Handa also knows that there has to be some artistic license, “If we adhere strictly to scientific principals, it will disrupt the narrative and world within it, so we need to be flexible in adapting this anime to some extent. However, the point of view from an astronomical standpoint is far more accurate and realistic than in the previous (1974) production.”

The Small Magellanic Cloud as seen in Episode 11.

Based on Professor Handa’s involvement, outdated astronomical terminology and designations used in the original series have been updated to reflect currently accepted standards, such as “Large Magellanic Galaxy” opposed to “Great Magellanic Cloud”, as well as terms concerning our own Galaxy, the Milky Way. Also, the original distance from the Earth to Iscandar was adjusted from 148,000 Light Years to 168,000 Light Years on the basis of new theories concerning the distance of the Magellanic Galaxy.


Detail of the Wave Motion Engine Systems Manual from Episode 3.

Another example of Professor Handa’s cooperation include even minor details, for example, the technical language and nomenclature seen in the operations manual for the Wave Motion Engine, even if on screen for mere seconds. Since there’s quite a distance between them, the Production Committee and the Professor, they stay in close communication via e-mail, including sending materials such as storyboards, and the staff’s concerns concerning scientific problems and principals. And every time he sees the finished work, “I can’t help but be impressed at their continued ingenuity.”


A beautiful, but dangerous Neutron Star featured in Episode 15.

As Professor Handa left Middle School for High School, YAMATO was the vehicle that opened up the cosmos to him, and prompted him in his longing to explore this unknown world. In closing, he said with hope, “Like myself, I would be pleased if this new series would inspire young people’s interest in astronomy and space.”

Written by Kei Mine
Originally published by Yomiuri Online
May 11, 2013
Translated by August Ragone

Stay tuned to this blog and the Cosmo DNA website for more news and information on SPACE BATTLESHIP YAMATO: 2199 as they develop!

Sunday, May 12, 2013

UPDATE ON "ULTRA Q: THE COMPLETE SERIES"!
Specs for Shout! Factory's Upcoming Release



Iconic opening title animation will remain in beautiful B&W!

With the release of the news of Shout! Factory's impending release of ULTRA Q (see previous blog entry), there has been wild speculation on internet concerning the contents of this forthcoming set — since the series was remastered for HD 1080p and colorized for the domestic Japanese Blu-ray release by US-based Legend Films (who handled the colorization work on Ray Harryhausen's B&W classics) — since Shout! Factory's page for listed this title as being "color."


Ziggy Namegon and the Mollusks from Mars are slimier in B&W!

Now, the the truth can be told; according to Shout! Factory's VP of Acquisitions and Production, who spearheaded licensing the rights to ULTRA Q and ULTRA SEVEN, "I've seen it on (the check) discs; (our release will be) in B&W." So, there you have it; this release of ULTRA Q will be in it's original chiaroscuro color format, which made it so atmospheric — therefore, we can assume that the aforementioned colorized version will not be included in this release.


Yuriko and Jun, can't believe their ears —it's in Japanese!

Also, since there were no other details on neither the Shout! or Amazon listings, rumors began swirling that perhaps the "lost" English language tracks produced back by Film House Inc. in Toronto, back in 1966, might also be included — since they were unearthed as a result of the research on my book a few years ago. Cliff's reply was short and to the point: "(This release) is in Japanese with English subs."


Garamon is a-gog that he's finally going to be discovered in the US!

Containing all 28 B&W episodes on six discs (with a total running time of 690 minutes), the street date for ULTRA Q: THE COMPLETE SERIES is August 13, 2013 with an MSRP of $59.97. Format: NTSC. Region Encoding: Region 1. Includes extensive on-screen liner notes by Yours Truly on the development and production of the series. You can pre-order from Shout! Factory or Amazon, today!

Friday, May 10, 2013

SHOUT! FACTORY UNLEASHES "ULTRA Q"!
Seminal Sci-Fi Series on US DVD August 13th


Shout! Factory's package design for the forthcoming DVD release.

THE TRUTH CAN FINALLY BE TOLD... ULTRA Q is coming to DVD in the US from on August 13th! Eiji Tsuburaya's seminal 1966 science fantasy series, which spurred the creation of ULTRAMAN, is finally receiving its long-overdue release in North America, thanks to Cliff MacMillan of Shout! Factory, who has pushed through releases of the original GAMERA film series, neglected movies such as MESSAGE FROM SPACE, and tokusatsu teleseries, including ULTRA SEVEN and JOHNNY SOKKO. Details as to the contents of this release have yet to be officially announced, but I was contracted to provide content for their momentous home video releases of ULTRA Q and ULTRA SEVEN back in 2011.

So, for those unfamiliar with ULTRA Q, here's what I wrote for the DVD package copy:

“For the next 30 minutes, your eyes will leave your body and arrive in this strange moment in time…” In the world of ULTRA Q, the very fabric of nature is warped into a state of unbalance, and all manner of strange phenomenon and unearthly creatures threaten the very future of mankind! On the scene are a world-renowned scientist and his young friends — a female photojournalist, an aviator, and his co-pilot — who investigate these supernatural menaces. When sheer military might is futile, the intrepid team comes to the rescue, armed solely with their ingenuity and scientific prowess, to quell these malevolent forces and restore the balance of nature.

The precursor to ULTRAMAN, ULTRA Q is a seminal science-fantasy television series in the monstrous mold of THE OUTER LIMITS and THE X FILES. As deeply ingrained in Japan’s pop culture as THE TWILIGHT ZONE is in America’s, ULTRA Q is available for the first time ever in its entirety on DVD! Eiji Tsuburaya, the visual effects wizard behind GODZILLA, RODAN, and MOTHRA, creates a spectacular cavalcade of bizarre beasts and mass mayhem in each and every episode of this wildly popular series. Never before broadcast in North America, ULTRA Q stars Kenji Sahara (RODAN), Hiroko Sakurai (ULTRAMAN) and Yasuhiko Saijo (SON OF GODZILLA).

As with previous Japanese releases from Shout!, I wrote extensive liner notes on the making of the series, which will *not* be in a booklet this time, but rather on one of the actual discs, itself (which you scroll through to read). This essay contains numerous facts about the development, production, and even the lost English Dubbing, never before published in English! But, it's the fans who make these things happen — so please support these releases from Shout! — because, if you don't support them with your dollars, those "Bean Counters" in the front office will be led to believe there's no market in the US for these films and television series! So, order "ULTRA Q: The Complete Series" today!

Stay tuned for more information as it is cleared for release!

• Pre-order ULTRA Q from Shout! Factory 
• Pre-order ULTRA Q from Amazon

Wednesday, May 1, 2013

"MOTHRA" OVER FRISCO BAY ON MOTHER'S DAY!
Ishiro Honda's Classic Screening on May 12th


Original Japanese release poster for MOTHRA ('natch)! ©Toho, 1961

IMAGINE A MONSTER SO HUGE IT BLACKENED THE SKY! Join me as I host "Thrillville Theater" on Sunday, May 12th at The New Parkway in Oakland for a special screening of the uncut Japanese version of Ishiro Honda's 1961 spectacle, MOTHRA (w/English Subtitles)! I will blab about the film, share rare, behind-the-scenes images, and more! SEE! Eiji Tsuburaya's momentous miniature work as the featured creature smashes all in it's wake for the sake of the tiniest women in all creation! PLUS: Everyone attending will receive special Mothra door prizes (while supplies last) and Kimono My House will be on hand with a megaton of Mothra and Kaiju merchandize for sale! There will be only one screening, starting at 6:00 pm, so don't miss this night of food, beer, wine, couches, and MOTHRA at The New Parkway, 474 24th Street (near Telegraph), Oakland, California! Admission is only $6.00 (cheap) — order advance tix online from Brown Paper Tickets!

(Mothballs not included.)

Check in over at our Facebook Event Invite page!

Thursday, April 4, 2013

2013 IS 1973: WHITE LION MASK『白獅子仮面』
April 4, 1973 - June 7, 1973

スカッと参上 白獅子仮面!


Riding in to save the day, it's not the Lone Ranger, that's for sure!

Set during the Kyoho Period of the Edo Era (1716-1735), the city of Edo (now Tokyo) is under the terror of Okami Kamen (Wolf Mask). Town Magistrate, Echisen Ooka, send his top man in the Kage Yoriki (Shadow Police), Hyoma Tsurugi (Kyotaka Mitsugi), to investigate. He unveils the evil pulling the strings of a Yokai army, Kaen Daimaoh (Infernal Devil), but is mortally wounded by the creature. Suddenly, another apparition appears, Shiro Jishi Kamen (White Lion Mask), who spares his life — and now Tsurugi must fight as the human form of this agent of righteousness to preserve justice!

Following in the horse hooves of P-Productions' THE VIGILANT LION MARU and Toei's TRANSFORMING NINJA ARASHI, WHITE LION MASK (Shiro Jishi Kamen) failed to find it's audience and only ran for 13 episodes. For decades afterwards, the series all but disappeared from Japanese television and was never issued on Home Video due to convoluted rights issues between various parties involved in the production, until 2003, when the series was finally issued on DVD, which is now out of print.

Tuesday, April 2, 2013

2013 IS 1973: ZONE, THE SHOOTING STAR MAN
April 2, 1973 - September 24, 1973

ゾーンファイト・ パワー!


Eye-bleeding cover of a ZONE children's book (Shogakukan, 1973).

During the height of the Henshin Boom of the early 1970s, every network wanted their own superhero television series, and a number of studios were busy offering them proposals. One of the more conservative was Toho Co., Ltd., who had produced the popular RAINBOWMAN, THE WARRIOR OF PIETY the previous year, they also planned to capitalize on the phenomenon with the conception of GODZILLA VS. MEGALON (1973), which opened in cinemas on March 17th — featuring the very superheroic sidekick, Jet Jaguar.

Hot on it's heels, Toho and Mannensha Co. Ltd. unleashed ZONE, THE SHOOTING STAR MAN (shortened to ZONE FIGHTER for overseas sales) for the NTV (Nippon Television) network, with feature film monsters Godzilla, King Ghidorah, and Gigan appearing as guest stars (the Big G appears in five episodes). For 26 colorful and exciting episodes, Zone Fighter and his siblings sally forth against the vile alien forces of Garoga to protect their adopted home from destruction and bring peace to all mankind — with the help of Godzilla, of course!

Sunday, March 17, 2013

2013 IS 1973: "GODZILLA VS. MEGALON"
Toho Champion Festival, March 17, 1973

ゴジラとジャガーでパンチ!パンチ!パンチ!


Media Blasters' jacket for the first legit North American DVD release.

The 13th entry in the Godzilla film series is probably the most maligned and lambasted, even more than the infamous GODZILLA VS. HEDORAH (1971), and is also the most misunderstood of them all. Directed by Jun Fukuda, GODZILLA VS. MEGALON was looked upon by film critics in the US as a joke, "Is this what the Japanese are passing off as science fiction these days?" (Cinefantastique), and not realizing that the film was intended, from its inception, as a Kiddie Matinee presentation — part of Toho's Champion Festival programs, packaged with several short subjects: Isao Takahata's animated featurette, PANDA! GO, PANDA! THE RAINY DAY CIRCUS, Masahiro Takase's GO ON, YOUTH!, and a television episode of the Fujio Fujiko animated series KUROBEI OF THE JUNGLE.

Additionally, MEGALON was also cashing in on the Henshin Boom taking television by storm, by throwing a superheroic android into the mix: Jet Jaguar. Meanwhile, Toho launched a spin-off production of its own, ZONE FIGHTER, which premiered on Nippon Television a mere sixteen days later. So, the proceedings in MEGALON aped the wild and bombastic flavor of the pop culture currents — including a song by Guinness World Record recording artist, Masato Shimon. While MEGALON sold the least tickets of the previous entries, it also saw a limited release, but was a hit in the US three years later. For all of its childish histrionics, which are generally mortifying to grownups, MEGALON indeed strikes a cord in youngsters — the film's intended audience — and who's going to argue with that?

OWN IT TODAY: Last August, the Media Blasters label finally issued GODZILLA VS. MEGALON on R1 DVD with both the original Japanese audio (w/English Subtitles) and the English Dubbing, which can be obtained through retailers and online services such as Amazon.com.

Sunday, February 17, 2013

2013 IS 1973: "KAMEN RIDER V3"
February 17, 1973 - February 9, 1974

へ〜んしん、V3ゃ!


Jacket for Toei Video's current DVD release. ©Toei/Ishimori Pro

The second and the highest-rated Kamen Rider series of the 1970s, KAMEN RIDER V3 was especially memorable for its non-stop action, dynamic mutant designs, exciting music score, and a solid cast led by the legendary Hiroshi Miyauchi. A Japanese university student, Shiro Kazami (Miyauchi), vows to avenge the murder of his family by taking on the sinister Destron organization. After being mortally wounded, Shiro is revived as the mighty fighting cyborg, Kamen Rider V3, to take on the ruthless Destron syndicate. An updated Kamen Rider V3 appeared in the feature, KAMEN RIDER: THE NEXT (2007).

OWN IT TODAY: All 52 English-subtitled episodes of KAMEN RIDER V3 are available on DVD from JN Productions/Generation Kikaida in one six-disc box set fully-loaded with special features, and digitally remastered sound and picture. Click here to order your copy of arguably the best Henshin Hero series of the '70s!

Wednesday, January 23, 2013

HAPPY BIRTHDAY, SHINICHI "SONNY" CHIBA!
Cracking Skulls Since January 23, 1939!

お誕生日おめでとう、千葉真一様!


Late '60s-early '70s portrait of a real mean bastard: Sonny Chiba!

¡VIVA CHIBA! Read more about his life and career, here!

Thursday, January 17, 2013

2013 IS 1973: JUMBORG ACE『ジャンボーグA』
January 17, 1973 - December 29, 1973

エメラルド星からの贈り物、ジャンボーグAだ!


Current DVD release from Toei Video. ©Tsuburaya Productions

JUMBORG ACE was the second of three visual effects series produced in celebration of the 10th Anniversary of Tsuburaya Productions in 1973. Jumborg Ace is given to mankind by benevolent Ultraman-like beings to fight evil invaders who threaten to conquer the Earth. Transmogrifying from an ordinary-looking Cessna aircraft, the pilot operates this giant cyborg in a similar fashion to the Jaegers in Guillermo Del Toro's PACIFIC RIM (2013). A re-imagined version of Jumborg Ace, named "Jean-bot", appeared in the feature film, ULTRAMAN ZERO: THE REVENGE OF BELIAL (2010).

Friday, January 11, 2013

SPACE BATTLESHIP YAMATO: 2199: CHAPTER 5
Theaters April 14 & BD/DVD May 28!

『宇宙戦艦ヤマト2199』Vol. 5 BD/DVD 5月28日発売!


General and Mrs. Domel are featured on Nobuteru Yuuki's jacket!

With the fourth installment of the SPACE BATTLESHIP YAMATO: 2199 saga, "Defense of the Galactic March", opening in twelve select cinemas across Japan this weekend (two additional from the previous releases), the official YAMATO: 2199 website has announced the release of the fifth theatrical feature, "The Sorrow of Intergalactic Space", featuring Episodes 15-18, opening April 14, 2013. The Blu-ray and DVD release will follow on May 28th.


Dynamic torpedoes away slipcase art by veteran Naoyuki Kato!

The home video release of Volume 5 will contain a total of four half-hour episodes (15-18), plus a selection of special features, clocking in at 130 minutes of content for ¥8,190 for the Blu-ray (BCXA-0489, Region-free) and ¥7,140 for the DVD (BCBA-4320, Region 2). The DVD will be presented in 16:9 Anamorphic, Dual Layer, and Dolby Digital Stereo. Conversely, the Blu-ray will be presented in AVCHD, BD50G, 1080p, 16:9 Anamorphic, and Linear PCM Stereo.



Special Features will include a conversation between director Yutaka Izubuchi and original Sound Effects Designer Mitsuru Kashiwabara, an Audio Commentary with voice actors TBA and director Izubuchi, Chapter 3 Digest, Theatrical Trailers 1, and a special insert booklet. Both releases will feature the same jacket art by character designer Nobuteru Yuuki, and a slipcase by legendary Yamato illustrator, Naoyuki Kato. While the DVD contains all of the same extras, only the Blu-ray boasts the most special feature of all: English Subtitles.



The Yamato continues on it's voyage to Iscandar as it makes it's way deeper into Gamilas territory, towards the mid-way point, planet Balun. General Domel regroups his forces to meet the Yamato head-on — while members of the crew begin to plot against Captain Okita. Will all be lost? These new episodes will be expanding beyond the original 1974 story, so we can all look forward to this fresh and fully-realized remake of SPACE BATTLESHIP YAMATO!



The episodes on Volume 5 will include:

HERE BE SPOILERS: WARING! WARING! WARING!


Episode 15. THE POINT OF NO RETURN (帰還限界点): General Domel continues his relentless attacks against the embattled Yamato, while crew begins to voice their unrest over the feasibility of the "Yamato Plan". The Yamato quickly warps in order to dodge a Gamilas recon squadron, but warps out into the middle of a large Gamilas fleet — all an elaborate trap sprung by Domel himself.

Episode 16. ALTERNATIVE FUTURES (未来への選択): Bloodied but unbowed, the Yamato stops to resupply at Beemera, a planet with an environment closely matching that of the Earth — suitable for human migration. While Kodai leads a survey mission, the growing and restless anti-"Yamato Plan" faction aboard the ship breaks out in revolt. What will be the fate of Captain Okita and XO Sanada, whose very lives are threatened by the mutineers?

Episode 17. FROM THE FOREST OF MEMORIES (記憶の森から): Kodai returns from the ruins on Beemera with valuable data. By leveraging a Subspace Gate left by the planet's lost civilization, the possibility that a vast span of tens of thousands of light years may be achieved in a single leap. Kodai, Sanada, and Yuki go into the Satellite System in order to restart the gate, but...

Episode 18. TRANSCEND THE DWINDLING LIGHT (昏き光を越えて): Successfully engaging the Subspace Gate from Beemera, the Yamato arrives at planet Balun. A massive flotilla of Gamilas warships, numbering more than 10,000, has also gathered there. But, to reach the Large Magellanic Cloud, they must pass through Balun's Gate. Okita decides to flirt with death by making a break for it — by plunging straight through the Gamilas flotilla.

You can pre-order your copy of SPACE BATTLESHIP YAMATO: 2199 Volume 5, by clicking here to visit Amazon Japan (with English language support)! Stay tuned to this blog and the Cosmo DNA website for more news and information on SPACE BATTLESHIP YAMATO: 2199 as they develop — and soon, we'll be off to outer space, on shiny discs of blue!

ADDENDUM: In April 2013, the titles for Episodes 17 and 18 were officially announced as changed from those previously released and published on my blog. Those changes have been reflected, above, and the previous titles are noted, below: Episode 17: ENGRAVED WORDS, SLEEPING PAST (眠れる過去 刻まれた言葉) and Episode 18: OPERATION: BALUN BREAKTHROUGH (バラン星突破作戦).

Monday, January 7, 2013

2013 IS 1973: "FIREMAN" 『ファイヤーマン』
January 7, 1973 - July 30, 1973

アバン大陸のヒーロー、ファイヤーマン誕生!


Original DVD pressing from Geneon Entertainment, 2004. ©TPC

FIREMAN was the first of three visual effects series produced as part of the celebration of Tsuburaya Productions' 10th Anniversary in 1973. Although short-lived with only 30 episodes, FIREMAN was arguably the best of the three, and remains a fan favorite to this day, bolstered by some introspective teleplays, a generally darker tone, and the casting of actor Shin Kishida in the main cast. An updated and re-imagined version of Fireman, named "Glenfire", appeared in the feature film, ULTRAMAN ZERO: THE REVENGE OF BELIAL (2010).